如果你正在犹豫要不要看，我可以告诉你：这部影片极具赖纳·维尔纳·法斯宾德的标志性风格，既有荒诞的政治讽刺，又穿插了撕心裂肺的情欲纠葛，人物在堕落的边缘挣扎，叙事节奏张弛有度。Angela Schmid演的那个脾气爆得不行，动不动就想削人，玛吉特·卡斯滕森倒是像朵小白花，但这俩凑一起火花四溅。在大量黑白的空镜头和突兀停顿中，几位女友围绕自杀与金钱展开了一场看似荒诞的探讨。如果你也偶尔觉得当下的生活乱七八糟，但又不得不硬着头皮继续，这部片子绝对能让你那种“想摆烂”的心情找到共鸣。导演法斯宾德用近乎原始的纪录片质感拍出了这场发生在肮脏后巷与喧闹舞厅里的生活实验。 剧情里四个女人互相折磨又互相拯救，透着一股浓得化不开的黑色幽默。

A film version of a play Fassbinder directed in Hamburg, Clare Booth Luce's The Women. It gave Fassbinder an opportunity to indulge his passion for working with women - there are forty women in the play and no men.　　The play dates from the 1930s, and Fassbinder was accused by the critics of being anti-women (a frequent criticism of late). As usual, he chose to work against the text, and from this has constructed an entertaining and engaging play about love between upper-class women with nothing better to do than sneer at others when things go wrong with their lives and loves.

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