故事是这样的：一个中年男人连续几夜被同一个噩梦纠缠——他在老宅的走廊尽头看见一面镜子，镜中的自己冲他咧嘴笑着，但脸上的五官正在慢慢融化。起初他以为是压力太大，直到白天也开始出现幻觉：咖啡杯里的倒影变成了那张腐烂的脸，墙上的挂钟指针突然逆行。适合对心理恐怖、1970年代低成本实验性叙事感兴趣的观众，尤其是那些厌倦了标准化Jump Scare、愿意在缓慢的焦灼感中咀嚼细节的影迷。 6️⃣6️⃣6️⃣。 这部上世纪七十年代的悬疑片没有滥用廉价惊吓，反而用阴郁的调色、摇晃的手持镜头和时断时续的雨声，营造出一种黏稠的不安感。如果你喜欢《柳条人》那种用冷峻叙事层层剥开人性秘密的节奏，或者对“记忆漏洞”类心理惊悚感兴趣，这部被低估的老片会给你意外惊喜——它甚至比同年代大多数恐怖片更懂得“留白”的力量。

　　A nightclub singer has nightmares about being involved in adultery and murder, only to wake up and find that they may not be nightmares.
　　Lurid thriller from the Crown International Pictures vault provides one of the sleaziest tales of wanton lust, infidelity, and unscrupulous greed ever lensed, with a few violent on-screen murders thrown in for good measure. The inimitable Dyanne Thorne is in it, and that fact alone makes it worthy of investigation.
　　A tacky Tony Bennett-style lounge singer abandons his pregnant girlfriend when he becomes intimately involved with the bitchy, high-strung wife(and soon-to-be widow) of a bigshot record industry mogul. Just to prove what a no-class opportunist scumbag this creep is, he soon takes to screwing her dim-witted stepdaughter as well.
　　If you're on a hunt for cheap thrills in the immortal 70s drive-in/grindhouse tradition, Look no further than POINT OF TERROR...it's such an uncurbed blast of raffish overindulgence that it makes something as famously profligate as BEYOND THE VALLEY OF THE DOLLS appear subdued by comparison. Surprisingly, it actually works in a fallacious, all-wrong sort of way, though a preposterous non-ending cripples it significantly.
　　A potentially gratifying watch for fans of excessive, tawdry thrillers, and such a distinctly 1970s relic that you might come away from it smelling like Hai-Karate.

相关搜索：