《超声》的叙事结构如同一个精密编排的声音回环——导演Rob Schroeder用重复、碎片化的时间切面与听觉错位，搭建起一座关于身份解离的迷宫。剧本在科幻外壳下探讨亲密关系中的权力博弈与认知不可靠性。反正要是你看腻了拯救世界那套，想找部看完能跟朋友掰扯半小时的科幻心理惊悚片，这部绝对对味。文森特·卡塞瑟和切尔西·洛佩兹的表演极其克制，几乎全靠眼神和微表情传递信息，没有一句台词是多余的。剧情没什么大反转，但那种无处可逃的压抑氛围，会让你看完还忍不住回想。影片的科幻落点不在于技术奇观，而在于声音与图像如何篡改人的判断力。

　　Driving home late at night during a heavy rainstorm, Glen experiences car trouble. Near where his car gets stuck, he spots a house, knocks on the door and is greeted by an oddly friendly middle-aged man, Arthur, and his younger wife, Cyndi. The strange couple pours him a drink, and then more drinks, followed by an unexpected offer that Glen can’t refuse. Elsewhere, a young woman, Katie, is feeling emotionally weighed down by a secret romantic arrangement that feels like a textbook case of gaslighting. And at the same time, in a nondescript research facility, medical professional Julie begins questioning her role in a bizarre experiment, fearing that she’s doing more harm than good.

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