如果你正在犹豫要不要看，我可以告诉你：金绮泳导演在这部作品中将压抑的欲望与生存本能刻画得入木三分，影片风格阴郁潮湿，充满了令人不安的隐喻。 金成谦与郑在顺精准演绎了被生活异化的夫妻，将那种窒息般的绝望感渗入每一个微表情。如果你偏爱带有强烈社会批判色彩、且能忍受沉重心理压迫感的现实主义题材，这部电影绝对值得细细品味。金成谦饰演的父亲像块浸了水的布，话不多却把“怕老婆却又护着女儿”的拧巴演成了身上的旧毛衣褶子；郑在顺的母亲更绝，她骂女儿时手在围裙上擦了又擦，不是凶狠，是贫贱日子磨出来的“尖酸自卫”——没有脸谱，全是肉乎乎的人性。影片没有廉价的煽情，而是用大量潮湿、压抑的细节，把“吃人”这个隐喻嚼得细碎。 不是什么大起大落的悲剧，是你我都见过的“接地气的疼”：可能是没说出口的原谅，可能是藏在旧衣服里的想念，可能是成年人不得不弯下的腰。
Kim Dong - sik, a securities company employee, feels an inferiority when his wife 's business succeeds, and her position in the home becomes blurred and gradually wanders. With this escape from wandering, the hostess will have extramarital affairs. Then, when his character is indecisive, he will have another home with this guidance, and will fall into deeper conflicts and abyss. The wife and the wife of the family share a certain kind of negotiation through the realism of the woman. In the end, he tried to escape from reality and wanted to flee his own pit himself and be forever forgotten by all.相关搜索：
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