《评委》以一场电影评审会议为叙事核心，金东虎导演巧妙地将密闭空间内的观点交锋转化为权力与良知的角力。汤尼·雷恩所扮演的西方影评人，则以文化视角的错位，为叙事增添了一层隐喻。如果你对电影节运作好奇，或者喜欢《十二怒汉》那种在一间屋子里把人性掰开揉碎的叙事方式，这部冷门作会给你不少回味的细节。适合对电影节运作好奇、偏好人物心理刻画与缓慢叙事节奏的观众。安圣基和姜受延的对手戏尤其耐看，一个用微颤的手指和躲闪的眼神演活老派权威的动摇，另一个则靠压低嗓音的质问撑起整场道德审讯。安圣基演的那个老评委，一个皱眉就能让你感受到他内心的拉扯，姜受延的表演也特有生活感，她那种不紧不慢的语调，好像真的在跟你闲聊天一样。

After the film screening, five people hold a meeting. Director Jeong asserts that a film should move the heart. Actress Soo-yeon emphasizes on the message of the film, Film critic Tony just discusses about the current trend of Korean cinema. Tomiyama cannot fully express her thoughts because of the language barrier. And, the head of jury, Sung-ki can’t control the situation. Will this jury reach an agreement against all odds A satire for those who make, watch, and criticize films is about to begin.

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