《卧龙战警》是一部1992年由比尔·杜克导演的动作片，融合了动作、喜剧和剧情元素，是一部充满娱乐性的电影。影片风格独特，将中国功夫与警匪题材完美融合，叙事紧凑，动作场面精彩刺激，非常值得一看。
影片的演员表现也非常出色，主演李连杰和周涌的精彩表演，使得整部影片更加精彩。
影片的演员表现也非常出色，主演奥兰多·布鲁姆和德鲁·巴里摩尔在片中的表现让人印象深刻。
影片风格独特，叙事紧凑，动作场面惊险刺激，同时又不失幽默感，让人在观看的过程中既紧张刺激又忍俊不禁。
无论您是喜欢动作场面还是喜欢剧情紧凑的观众，都可以在这部电影中找到自己的喜好。
Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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