故事是这样的：一位落魄的电影剪辑师正为一部廉价铅黄恐怖片做后期，片中的女演员接连以诡异方式死去，而他剪辑台上那些血腥镜头——割喉、电锯、眼珠爆裂——竟然和现实中警探调查的凶杀案一一对应。乌多·基尔那张布满皱纹的脸每次出现都像一具会说话的蜡像，为这种神经质的游戏添了一分诡异的权威。警察盯着他，同行怀疑他，连他自己都开始分不清——究竟是自己在故意模仿银幕上的凶案，还是那盘胶片本身就在操纵现实。这片子特别有意思——画面故意做得很糙，带那种意大利铅黄电影的塑料感，血腥场面又假又带劲，配乐也特过火，整个一高级恶搞。 影片刻意模仿七八十年代意大利恐怖片的廉价质感——过度饱和的滤镜、生硬的配音、刻意穿帮的血浆特效，把铅黄片的浮夸和荒谬放大到极致，反而成了一种辛辣的恶搞。乌多·基尔顶着那张蜡像般的冷脸客串，贡献了最具压迫感的一场对视。
From members of Winnipeg’s infamous Astron-6 collective comes a loving homage and absurdist send-up of the Italian giallo genre. Rey Ciso was once the greatest editor the world had ever seen — but since a horrific accident left him with four wooden fingers on his right hand, he’s had to resort to cutting pulp films and trash pictures. When the lead actors from the film he’s been editing turn up murdered at the studio, Rey is fingered as the number one suspect. The bodies continue to pile up as Rey struggles to prove his innocence and uncover the sinister truth lurking behind the scenes. (Tiff 2014)相关搜索：
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