这部1949年的老片子有种独特的“闷劲儿”——没有突然跳出来的鬼，而是用阴郁的灯光、狭仄的走廊和雨夜黏糊糊的街景，慢慢把心揪起来。1949年的黑白恐怖片，没有特效，全靠光影和气氛硬撑。布莱恩·唐莱维的烟斗和雨衣也成了叙事工具——他每次擦拭烟斗的停顿，都预示转折将至。最难忘黄柳霜那个角色：她站在窗边，手指无意识地绞着丝巾，嘴角挂着笑，眼里却全是决堤前的死寂。
适合喜欢四十年代黑色电影氛围、不介意慢热叙事的观众，或者对黄柳霜的银幕形象好奇的人。
★。
Walter Williams (Brian Donlevy) is a take-charge captain of industry who has worked his way up in a San Francisco steel company from a position as a sheet metal worker. He loves his wife Irene (Helen Walker) very much and they have planned a vacation drive together. Irene cancels at the last minute claiming a toothache, but asks that Walter drive her cousin Jim Torrance (Tony Barrett) as far as Illinois. Walter agrees and he and Jim take off together but later Jim knocks Walter unconscious and takes the car only to be hit himself by a truck and killed, his body burned beyond recognition. Walter comes to and suffering a concussion and deep confusion from feeling betrayed by Irene hides out in a small Midwest town until guilt and peer pressure force him to go back to San Francisco and tell his story to the Police. But by the time Walter returns to San Francisco a clever detective Lieutenant Quincy (Charles Coburn) has uncovered some facts about Irene and her cousin' Jim. The police have been holding Irene for the murder of her husband Walter but release her considering that Walter was hiding out because he had killed Jim. Along the way to uncovering the truth in Court Walter realizes some hard fact about what he holds valuable and the trust he has put in those around him.
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