故事是这样的：在二战末期的波兰乡村，一个年轻女子独自守着被战火侵蚀的家园。库茨用冷峻的固定镜头和绵长的静默，把战后波兰的荒芜感压在每一帧黑白影像里——时钟的滴答、火车远去的轰鸣，都比对话更有分量。这部电影不追求跌宕剧情，更像是用显微镜观察人性深处的回声。或者你最近有点麻木，想找一部片子，安安静静地跟着一个人过一段日子。适合耐得住性子、喜欢从琐碎日常里读人心事的观众。Zofia Marcinkowska把那种“等不到电话”的焦灼演得特别真，她的背影比台词更能说明问题；几个配角在简陋厨房里的对话，也透着战后波兰人特有的隐忍。
50年代-60年代初波兰电影学院派的经典作品之一，堪称与同时代意大利导演安东尼奥尼的《奇遇》相比，改编自Józef Hen在社会主义波兰时期被禁的小说。 In 1960 his second film NIKT NIE WOLA NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.相关搜索：
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