如果你正在犹豫要不要看，我可以告诉你：**值得花一个安静的晚上，窝在沙发里慢慢看。如果你喜欢《佛罗里达乐园》那种生活流，或者看腻了套路化剧情，愿意耐着性子感受人情味，这片子挺对味的。最打动我的是结尾那场雨，所有人都湿漉漉地挤在屋檐下，突然笑起来，像极了我们家过年时那种尴尬又温暖的拥挤。适合那种喜欢看生活里细碎小事的观众，比如爱琢磨亲戚脸色、对家庭聚餐又爱又烦的人，这片子能让你边看边嘀咕“这不就是我家吗”。这片子最适合那些不讨厌“闷”、愿意在缓慢节奏里咂摸亲情复杂滋味的人——如果你习惯了抖音三分钟讲完一个故事，可能会觉得慢，但要是你想起过年回家时饭桌上那些欲言又止的沉默，那这就是你的菜。瑞秋·艾里格和Katie Folger的对手戏尤其有意思，一个眼神、一句没说完的话，就把母女之间那种“想靠近又怕受伤”的劲儿演出来了。

　　Set at the start of Covid, Family Portrait follows a family on an idle but hectic morning when they have planned a group picture. When the mother vanishes and one daughter becomes desperate to find her and gather her sprawling family, the film progressively descends into a realm where time and space lose their grip, transforming the family portrait into a solemn and enigmatic ritual of transition.
　　Director's Note:
　　Family photographs, according to Roland Barthes, are a desperate means to freeze time and immortalize the family. However, what the family doesn’t realize yet is that, as they smile and pose for the picture, they have already died.
　　源自：https://www.locarnofestival.ch/festival/program/film.html?fid=e3a878c3-ae17-4570-9736-2c37b917128a

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