如果你看腻了那些把单反当道具、靠慢镜头和配乐堆情绪的文艺片，《单反相机》倒是个反例。格拉帕·格潘把主角那种从好奇到恐惧的转变演得很有说服力，尤其当他反复检查相机时手指微微发抖的细节很真实。没有大段情感独白，所有情绪都藏在光圈与快门速度的决策里。影片用一台老相机的视角，带着观众翻过几段看似平常的日常——父亲沉默的背影、雨季来临时屋里的霉味、女儿偷偷翻看旧照片时发红的眼眶。格拉帕·格潘把那种“越接近真相越害怕”的失控感演得很准，尤其是他盯着取景器时瞳孔放大的细节，比鬼脸更让人发毛。格拉帕·格潘与切尔普朗·阿瑞库尔在几场“快门式”的静态对峙戏中，用微表情的顿挫代替激烈冲突，克制却富有张力。

　　Dan, a photography student who is given an SLR camera to use for his thesis by his professor Aim. However, Dan finds out that it actually is a test of the devil, which he has no way to escape. His only choice is to obey it or fight back.

相关搜索：