看《她/她》第二季时,最抓人的是那些不声张的细节——比如Eve Duranceau的角色深夜对着冰箱发呆时,光线打在侧脸上,整场戏没说一句孤独,但我鼻子酸了。导演对镜中倒影与玻璃反光的反复运用,将人物被自我认知与他人目光双重束缚的状态外化为视觉隐喻。如果你喜欢那种不煽情、不狗血、像听朋友唠嗑的剧,或者你对女性之间的复杂关系感兴趣,这季绝对能把你拽进去。导演Chloé Robichaud用大量固定长镜头捕捉她们呼吸的间隙,那些沉默的几秒钟里,眼神比台词更饱满。
有一场戏,几个女孩围坐喝酒,没人说破谁的暧昧或妒忌,但镜头慢慢扫过每个人的手和嘴角——那种微妙的氛围,比直接争吵更让我坐立难安。
演员们完全褪去表演痕迹——Eve Duranceau被分手时那场戏,她边叠衣服边憋着泪,下巴抖了三次才开口;伊夫林·布洛初演的作家在派对上强装洒脱,转身咬住烟蒂的力道让人心里一紧。
In this new series, the director Chloé Robichaud, whose first film Sarah préfère la course had a remarkable international career after its official opening at the prestigious Cannes Film Festival, takes us back to the intersecting lives of a dozen characters and offers a new look on the world of lesbians in Quebec.
“As a fresco representing different women – 18 to 42 years old – each episode explores the life of one before reuniting them. It’s a little bit of a tribute, a portrait, and a wink to each woman. This is a series about love between women. Life on a daily basis, a 10- minute capsule, times 8. I hope that in these women, many will see their own realities, whether homosexual or not”, says Chloé Robichaud.
Macha Limonchik and Sarah-Jeanne Labrosse join the cast composed of several talented actresses among which, Eve Duranceau, Noémie Yelle, Eliane Gagnon, Carla Turcotte, Julianne Côté, Émilie Leclerc-Côté, Alexa-Jeanne Dubé, Kimberly Laferriere and Marie-Evelyne Lessard. A few surprise guests also made memorable performances on some of the episodes.
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