看完《污染》走出影厅，我愣在走廊好一会儿——不是因为震撼，而是被那种“说不出的闷”堵住了。适合喜欢《聚焦》式社会写实题材、愿意在沉闷压抑中思考权力如何腐蚀日常的观众。马西米利亚诺·加洛和路易莎·拉涅瑞的表演几乎不靠台词，全靠眼神和嘴角的颤动传递绝望——一个被工业污染逼得走投无路的父亲，一个试图在废墟里保护孩子的母亲，他们的对手戏像慢慢收紧的绳结。如果你能接受缓慢的叙事节奏，愿意去体味环境污染下普通人沉默的阵痛，这部电影会让你在散场后久久沉默。演员们没有过度表演，加洛在实验室检测水样时，镜头只对准他颤抖的指尖和试管里的浑浊液体，那份无声的紧张比台词更有力。这片子适合能接受慢节奏、喜欢《格莫拉》那种冷峻风格的观众，看完保证你沉默半天。
Cosimo, a buffalo farmer, refuses to sell off his land to the family of the young mayor candidate. When he finds out he has a tumour caused by all the toxic waste that are illegally disposed of in the fields of the so-called “Land of Fires”, his wife decides to carry on his battle. Diego OlivaresDiego Olivares (1965) is a Neapolitan director, scriptwriter and dialogues writer. After directing some short films he embarks in the making of a documentary about the closing of the Frullone psychiatric hospital in Naples, Gli ultimi giorni del Frullone – Cronache da un manicomio nel 2000. In 2003, he directs his first feature film I chinghiali di Portici. In 2014, he directs the short film Canemalato produced by Figli del Bronx for Sky Cinema.相关搜索：
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